2019 January: Russia Contemporary

January saw the start of a new series of talks by Russian artists at The Saatchi Gallery over the course of 2019 

RUSSIA CONTEMPORARY 

Contemporary Russian artists talk about their art and the artistic context in Russia. Sponsored by the Hermitage Foundation UK and the IXcellerate Moscow Datacentre, the series opened with Vlad Kulkov on 30 January. 

The aim of the programme is to provide a platform for Russian artists who have growing careers in Russia, but are perhaps less well known in the UK, to discuss their work and bring it to a new audience. The artists have been chosen to reflect the breadth and diversity of contemporary art from Russia, including both established and emerging artists. 

The series is the latest stage of an ongoing collaboration between the Hermitage Foundation UK and The Saatchi Gallery. The collaboration began in 2007 when the exhibition USA TODAY, featuring works by American artists from The Saatchi Gallery was shown at the State Hermitage Museum. This was followed by Newspeak: British Art Now. These exhibitions launched the Hermitage 20/21 Project, an initiative aimed at extending the State Hermitage Museum's collection in the 20th and 21st centuries.

30 January                               Vlad Kulkov (with introduction by Dimitri Ozerkov)

2018 December: Friends Events

RUSSIA : ROYALTY AND THE ROMANOVS

CHILDREN'S WORKSHOPS 

Saturday 15 & Sunday 16 December 2018

Queen's Gallery, Buckingham Palace, London

In this new departure of the Hermitage Foundation UK, we sponsored children's workshops. Children and grandchildren of Friends and Patrons were invited to take part. 

Father Frost and the Snow Maiden

11am – 3pm
A festive event with a difference. Surrounded by beautiful Russian paintings, children took part in an immersive storytelling session and created watercolours by candlelight.

 

RUSSIA : ROYALTY AND THE ROMANOVS

Lecture by Caroline de Guitaut

Tuesday 18 December 2018: 7pm

Pushkin House, Bloomsbury Square, London WC1A 2TAFriday 30 November: 8.30 am

Caroline de Guitaut, Senior Curator of Decorative Arts at the Royal Collection Trust, spoke about the objects in the exhibition at the Queen's Gallery, and about the making of the show. A leading authority on the work of Carl Fabergé, Caroline has published widely on the subject. She is joint curator of the exhibition and her catalogue of works by Fabergé in the Royal Collection is due to be published in 2020.

 

2018 November: Friends Events

On 20 November 2018 Friends attended a reception and book launch at the Russian ambassador's residence, London

Hosted by His Excellency Dr Alexander Yakovenko, Ambassador of the Russian Federation. As usual, the occasion served also to launch an important book about the Hermitage, in this instance a new edition of Geraldine Norman's groundbreaking The Hermitage: Biography of a Great Museum, first issued in 1997 but now updated to cover recent history. This publication covers the 250 years of history of one of the world's greatest museums, with particular attention paid to the curators and staff who did so much to preserve its treasures during the terrible tribulations of the twentieth century.

 

Then up early the following morning for a private tour of the exhibition Lorenzo Lotto: Portraits at the National Gallery.

A fine painting by Lorenzo Lotto was loaned from the Hermitage Museum to this exhibition at the National Gallery. This private view was led by Matthias Wivel, curator of the show, the first ever exhibition of portraits by Lotto, one of the fine artists of the Italian Renaissance. Bringing together many of Lotto's best portraits from collections around the world, the exhibition spans the artist's entire career. Lotto depicted a wide variety of middle-class sitters, including clerics, merchants, artists and humanists. In the words of Matthias Wivel, 'Lott's empathetic approach to his sitters, his attention to detail and his willingness to explore new formats and ways of composing portraits all contribute to a body of work that is astonishingly varied and feels more direct, less filtered, than those of his contemporaries, notably Titian's more elevated, idealised portraiture.'

 

 

Film: THE WINTER PALACE AND THE HERMITAGE IN 1917: HISTORY WAS MADE HERE

Pushkin House, 5a Bloomsbury Square, London C1A 2TA

Wednesday 28 November 2018: 7 pm

The exhibition at the Hermitage was filmed specially for the Hermitage Foundation UK, recording the installation and progress of this historic marking of the 100th anniversary of the Russian Revolution. The film is presented by Professor Mikhail Piotrovsky, Director of the Hermitage Musem and includes interviews with Vyacheslav Fyodorov, head of the Department of the History of Russian Culture and co-curator Elena Solomakha of the Hermitage Archives. 
The purpose of the film is to enable art-lovers around the world to share the experience of this exhibition, held in the very place where the revolutionary events tooks place. One sequence shows Lenin's armoured car as it is delivered to the Hermitage courtyard, another presents Professor Piotrovsky winding up the clock in the White Dining Room, which had been stopped at 2.10 am on 26 October 1917, the moment when the members of the Provisional Government were arrested and Soviet power was born. 'Time must be allowed to run on,' said Piotrovsky, 'The Revolution is now history.'  
 
 

I AM ASHURBANIPAL, KING OF THE WORLD, KING OF ASSYRIA

The British Museum, London

Thursday 29 November 2018: 9.00 am

Private Tour with Curator, Gareth Brereton, and Mariam Dandamaeva

Gareth Brereton, exhibition curator, and Mariam Dandamaeva, curator from The Hermitage Museum, talked to us about this amazing exhibition at The British Museum.
Discover the world of ancient Assyria through the life and legacy of its last great ruler, King Ashurbanipal. We were transported back to ancient Iraq in the 7th century BC, when Ashurbanipal became the most powerful person on earth.  From his capital of Nineveh, he ruled a vast and diverse empire, shaping the lives of peoples from the shores of the eastern Mediterranean to the mountains of western Iran.
Ashurbanipal, proud of his scholarship, assembled the greatest library in existence during his reign.  Guided by this knowledge, he defined the course of the empire and boldly asserted his claim to be 'king of the world, king of Assyria'.


Massive stone sculptures, intricately carved reliefs, painted glazed bricks and rare wall paintings evoke the splendour of the cities and palaces.  Delicately carved ivories, extravagant metalwork, cosmetic vessels and gold ornaments show how the elites lived.  Ornate chariot fittings and elaborate weaponry reveal how this was an age of conflict, as rival kings fought for power and glory.  Ashurbanipal's prowess as a valiant warrior is recorded on a series of vividly carved reliefs in the British Museum's collection that depict the royal lion hunt.  Lion hunts were drama-filled public spectacles staged within the hunting grounds at Nineveh.
 This is the first ever major exhibition to explore his life in such depth. The British Museum's collection of Assyrian treasures is complemented by key loans from across the globe - including works from St Petersburg, Yerevan, Paris, Berlin, Vatican City, and Nicosia. Many of these remarkable objects have never travelled to the UK before.

 

 

 

RUSSIA : ROYALTY AND THE ROMANOVS

The Queen's Gallery, Buckingham Palace, London

Friday 30 November 2018: 8.30 am

Private Tour with Curator, Caroline de Guitaut

Exploring the relationship between the two countries and their royal families through works of art in the Royal Collection. 

Through war, alliance and dynastic marriage the relationships between Britain and Russia and their royal families are explored from Peter the Great's visit to London in 1698 through to Nicholas II. Portraits, sculpture, photographs, archival documents and miniature masterpieces by Fabergé illustrate historic events and family meetings between the rulers of the two nations. 

Many of the rich and varied works of art to be displayed are unique – some commissioned as grand diplomatic gifts, others as intimate personal mementos between the royal family and the Romanovs, and they bring to life the shared patronage of artists and craftsmen from both countries.